In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a (...) mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers. (shrink)

The article shows the “Appendix” to Søren Kierkegaard’s Philosophical Fragments to be a response to Ludwig Feuerbach’s critique of Christianity. While previous studies have detected some influence by Feuerbach on Kierkegaard, they have so far discovered little in the way of specific responses to Feuerbach’s ideas in Kierkegaard’s published works. The article first makes the historical argument that Kierkegaard was very likely reading Feuerbach’s Essence of Christianity while he was writing Philosophical Fragments, (...) as several of Kierkegaard’s journal entries from that period discuss Feuerbach in relation to central ideas in Fragments. The article then shows how Kierkegaard’s pseudonym Johannes Climacus inverts Feuerbach’s projection theory, turning it against critics like Feuerbach. At the heart of Feuerbach’s critique of Christianity is the claim that religion is a conceptual illusion, whereby the individual projects his or her personal limits onto the species and then projects the unlimited onto a supposed divine being. Furthermore, Feuerbach sees Christianity as rife with absurdities that tell against its reasonableness. In exploring a hypothetical transcendent avenue toward the truth, Climacus inverts both of these philosophical moves. He argues that on the transcendent hypothesis, the immanentist critic is himself a victim of an “acoustical illusion”: the absolute paradox of the appearance of the god in time is in fact not judged by, but rather judges, the critic as absurd. In inverting and not repudiating Feuerbach’s critique, Climacus reveals the critic as a Socratic figure who displays the heights—and ultimately, the limits—of secular philosophy’s capabilities. (shrink)

This volume contains a new translation, with a historical introduction by the translators, of two works written under the pseudonym Johannes Climacus. Through Climacus, Kierkegaard contrasts the paradoxes of Christianity with Greek and modern philosophical thinking. In Philosophical Fragments he begins with Greek Platonic philosophy, exploring the implications of venturing beyond the Socratic understanding of truth acquired through recollection to the Christian experience of acquiring truth through grace. Published in 1844 and not originally planned to appear (...) under the pseudonym Climacus, the book varies in tone and substance from the other works so attributed, but it is dialectically related to them, as well as to the other pseudonymous writings. The central issue of Johannes Climacus is doubt. Probably written between November 1842 and April 1843 but unfinished and published only posthumously, this book was described by Kierkegaard as an attack on modern speculative philosophy by "means of the melancholy irony, which did not consist in any single utterance on the part of Johannes Climacus but in his whole life.... Johannes does what we are told to do--he actually doubts everything--he suffers through all the pain of doing that, becomes cunning, almost acquires a bad conscience. When he has gone as far in that direction as he can go and wants to come back, he cannot do so.... Now he despairs, his life is wasted, his youth is spent in these deliberations. Life does not acquire any meaning for him, and all this is the fault of philosophy." A note by Kierkegaard suggests how he might have finished the work: "Doubt is conquered not by the system but by faith, just as it is faith that has brought doubt into the world!.". (shrink)

The article proposes that the hypothetical framework of Kierkegaard's "Philosophical Fragments" is determined by the question 'How is it possible for one to become a disciple?' An account of this framework is provided by employing an original interpretation of the concept 'the Moment'. This enables an understanding of 'the condition' by means of a contrast between 'Universalist' and 'Particularist' perspectives. Moreover, it is only when the insights offered by both perspectives are combined that the answer to the (...) determining question of the Fragments becomes apparent. (shrink)

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a (...) mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers. (shrink)

I argue for an approach to Philosophical Fragments that allows it to be philosophical and fragmentary, and that pays particular attention to the fragments, or crumbs, that seem least important. One such overlooked crumb is the theory of merely human education in the book—education that does not enlist God as the teacher, where humans simply try to teach and learn from each other. I argue that Philosophical Fragments defends this theory of education with several (...) reductio ad absurdum proofs that are especially useful because they clarify why merely human education so often fails. Finally I apply the theory of merely human education in Philosophical Fragments to Kierkegaard’s authorship as a whole and argue that it gives us a paradigm for understanding all of Kierkegaard’s texts that is more fundamental than the distinction between direct and indirect communication. (shrink)

Scholarly debate about Kierkegaard’s fideism focuses upon whether his voluntarism—the doctrine that religious faith can be simply willed—is practicable or credible. This paper proposes that a close reading of Philosophical Fragments and The Concept of Anxiety reveals that there is a role for both the will and the intellect in Kierkegaard’s concept of faith. Kierkegaard arrives at a compatibilism that emphasizes the roles of both the intellect and the will. The intellect perceives a “moment” that (...) paradoxically intersects time and eternity and assents to a skeptical argument that one cannot understand how things and events come into existence. And beyond simply recognizing that belief is not unreasonable, the intellect perceives an internal logic to faith in a theological aesthetic—Johannes Climacus’s “poem” in Philosophical Fragments. Against the standard view of Kierkegaard’s voluntarism, this argument for compatibilism shows how the intellect combined with the will forms the “eyes of faith.”. (shrink)

Johannes Climacus, Søren Kierkegaard's pseudonymous author of Philosophical Fragments, "invents" a religion suspiciously resembling Christianity as an alternative to the assumption that humans possess the Truth within themselves. Through this literary device, Climacus raises in a fresh and audacious way age-old questions about the relation of Christian faith to human reason. Is the idea of a human incarnation of God logically coherent? Is religious faith the product of a voluntary choice? In a comprehensive discussion of one of (...) Kierkegaard's most important books, C. Stephen Evans elucidates Kierkegaard's novel explanation that the tension between faith and reason must be understood as a consequence of the passionate character of reason itself. Passionate Reason situates Kierkegaard's philosophy in the context of postmodern religious thought, providing a contemporary reading of Fragments as a challenge to both the modern Enlightenment critique of reason and the postmodern abandonment of truth. (shrink)

In Philosophical Fragments the pseudonymous author Johannes Climacus explored the question: What is required in order to go beyond Socratic recollection of eternal ideas already possessed by the learner? Written as an afterword to this work, Concluding Unscientific Postscript is on one level a philosophical jest, yet on another it is Climacus's characterization of the subjective thinker's relation to the truth of Christianity. At once ironic, humorous, and polemical, this work takes on the "unscientific" form of a (...) mimical-pathetical-dialectical compilation of ideas. Whereas the movement in the earlier pseudonymous writings is away from the aesthetic, the movement in Postscript is away from speculative thought. Kierkegaard intended Postscript to be his concluding work as an author. The subsequent "second authorship" after The Corsair Affair made Postscript the turning point in the entire authorship. Part One of the text volume examines the truth of Christianity as an objective issue, Part Two the subjective issue of what is involved for the individual in becoming a Christian, and the volume ends with an addendum in which Kierkegaard acknowledges and explains his relation to the pseudonymous authors and their writings. The second volume contains the scholarly apparatus, including a key to references and selected entries from Kierkegaard's journals and papers. (shrink)

According to Roger Poole, theological interpreters of Søren Kierkegaard’s indirect communication privilege content over form, whereas deconstructive interpreters privilege form over content. Here, I offer a reading of Johannes Climacus’s Philosophical Fragments to illustrate how, in this case, the theology/deconstruction and form/content binaries both break down. The form of Fragments is as theological as it is deconstructive: Climacus’s kaleidoscopic quotation of scripture, and his parabolic tropes both attest to this. Similarly, the content of Fragments is (...) as deconstructive as it is theological: the deferral of names, the madness of the moment of decision, and Climacus’s use of contradiction all unsettle any naïve theology. Ultimately, I suggest, the reason that Fragments resists the form/content and theology/deconstruction binaries is because it is a text about the incarnation – a paradigmatic combination of form and content, and a paradoxical reality that bursts apart any division between theology and deconstruction. (shrink)

Søren Kierkegaard 's account of faith in Philosophical Fragments claims that the historical Incarnation is necessary for faith, but that historical evidence for the Incarnation is neither necessary nor sufficient for faith. It has been argued that the defence of these two claims gives rise to a faith /history problem for Kierkegaard and that it is incoherent to defend an account of faith which affirms both the necessity of the historical Incarnation and rejects the necessity and (...) sufficiency of the historical evidence for the Incarnation. I argue that this problem can be solved by applying Eleonore Stump's account of divine–human union. I argue that the Incarnation is necessary because it allows us to enjoy a kind of mutual empathy with Christ which is the basis of divine–human union and that the historical evidence is neither necessary nor sufficient since faith is grounded in a second-person experience of Christ. I claim that this solves the faith /history problem and offers a way of defending Kierkegaard 's account of faith as coherent. (shrink)

The volume contains a variety of materials written by Marcel prior to World War I, along with a short address delivered in Frankfort in 1964 on the occasion of the presentation to Marcel of the "Peace Prize" of the Börsenverein des deutschen Buchhandels. The subject of the address is peace, and the role of the philosopher with respect to this and other social questions. The earlier writings show influences from post-Kantian idealism and most especially from Bradley. The most noteworthy selections (...) are those concerning the idea of absolute knowledge, the problem of immortality, and a "sketch" of a theory of "participation." At this time, Marcel had not yet become acquainted with the works of Kierkegaard, but his thought shows at times a shift away from idealism. Marcel's philosophical style is bound by traditional categories and doctrines, but shows tendencies towards the freer approach of his mature works.—A. W. W. (shrink)

In Kierkegaard's Livingroom David Mercer weaves his way through the Philosophical Fragments, bringing the reader a new understanding of Kierkegaard's work.

Faith and sin prior to the Fragments -- Sin and salvation in the Philosophical fragments -- Anxiety and beyond -- Sin and salvation from the Three discourses -- To the three stages -- Sin and salvation in the Concluding unscientific postscript -- Sin, society, and the individual in the Two ages.

This paper revisits the charges of fideism and irrationalism oftentimes leveled against Kierkegaard's consideration of the relation of ratio to fides. To this avail the author engages one of the key texts in this polemic, namely the first three chapters of Philosophical Fragments. His reading centers on the rather subtle suggestion that eroticlove, as a surrendering of oneself to another, plays the role of a metaphor or image for the downfall of the understanding characteristic of religious conversion. (...) By considering the possibilities and limitations of this metaphoric relation, he suggests that thedownfall of the understanding required in religious conversion occurs, surprisingly, not without an understanding, however limited, of the downfall. Because the experience oferotic love reveals where our true passion lies, we gain access to an alternative account of religious conversion according to Kierkegaard, one where ratio is not necessarilyput on the verge of disappearing by fides. Moreover, thanks to this metaphoric relation, not only does erotic love itself acquire a novel meaning—under the religious command of loving one's neighbor — but also one grasps in advance the risk of becoming dispassionate in a religious sense. (shrink)

After highlighting Søren Kierkegaard's emphasis on the absolute difference between God and humans, this article presents his explanation of why we can readily embrace our inferior position to God, which appeals to his understanding of love as involving the desire to be the guilty party. But this argument can be turned around to make a case that God would desire to be the guilty party in relation to us. This fits well with the story of God's love in (...) class='Hi'>Kierkegaard's pseudonymous writing Philosophical Fragments, in which divine incarnation is interpreted as God's descent in history to establish equality with humans. After arguing that such a kenotic Christology is not incompatible with the absolute God-human difference because it accentuates the fact that only God can cross the divide, the author points out its similarity with Marilyn Adams’ view that God became the curse in Jesus to cancel out the power of the curse of sin. He finishes by dealing with the worry that, despite divine descent, some humans may be unable to stand boldly confident before God because of their memory of what their sinfulness has caused. One way to alleviate this worry is to adopt the Irenaean affirmation of God's ultimate responsibility, and the author claims that this would complete Kierkegaard's Philosophical Fragments by adding an interpretation of the crucifixion in line with its story of divine descent. (shrink)

He shows us that Kierkegaard's expressed intent is to provide readers with the opportunity to choose or reject Christ. He explores the question of who Kierkegaard understands Jesus to be and why he believes that faith or history alone cannot answer this question, claiming that history is meaningful only when it is understood from the perspective of "sacred history." Kierkegaard's Livingroom explores what "sacred history" is, why it is so important to us, and why it depends on (...) an incarnate God. Mercer argues that Kierkegaard is not tilting at windmills but responding to Hegel's view of history and Kant's view of faith, showing that Kierkegaard has much to contribute to the debates on liberalism and post-modernism. (shrink)

The International Kierkegaard Commentary-For the first time in English the world community of scholars systematically assembled and presented the results of recent research in the vast literature of Søren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian. This is volume 12 in a series of commentaries based upon the definitive translations of Kierkegaard's writings published (...) by Princeton University Press, 1980ff. (shrink)

Of worshipers, expositors, scholars, translators, defenders and detractors Kierkegaard suffers no lack. Less forthcoming is the kind of reader he calls "my reader," one whose thought-mood reduplicates Kierkegaard's own, a "dialectician" and "poet" whose basic posture is less a professor's than that of a reflective human being, primitively attuned to the issues of faith and selfhood.